Skip to main content
cover image hero
hero image

OUR MISSION STATEMENT

Our Mission

To promote awareness of the ceramic arts and build a sense of community through clay related activities, bringing individuals of all ages together to celebrate our heritage and pass it on to future generations.

The Gulf Coast Kiln Walk Society does not discriminate on the basis of age, disability, ethnicity, gender, race or religion.

KILN PROJECTS

Project Purpose

To build a facility on the Gulf Coast of Florida where various methods of firing pottery may be explored. The first kiln constructed at Kiln Walk is the large, historically-inspired cave kiln (“Anagama”) fueled by wood. A second kiln has followed is a reconstruction of a southern altered groundhog, moved from the original pottery location in Jay, Florida. While classic and historic, both kilns produce state-of-the-art wood-fired ceramics. Other firing methods will include Raku, Soda, Salt, Pit and Sawdust.

Groundhog Kiln

The Ralph Howard Phillips kiln was a working “Southern Groundhog” kiln located in Jay, Florida. Mr. Phillips built the kiln about 1945. Phillips and his wife, Abby Johnson Phillips, developed a pottery business that used the kiln primarily to produce churns, crocks, rabbit feeders and garden pottery made from local clay with an albany slip applied. The market was also local.

Kiln

Anagama Kiln

In December 2005, at 7507 Buckeye Road, Holley, Florida the Gulf Coast Kiln Walk Society celebrated the inaugural firing of its newly constructed 32’ wood-fueled Anagama kiln. Among others in attendance were renowned ceramic artists Don Reitz and Brian Harper.

On November 29, 2005 loading commenced in preparation for firing. Then on December 3, the massive Anagama kiln, which holds upwards of 800 pieces, was lit for the first time.

While firing, the kiln requires round-the-clock care and feeding. A team of about 20 work in four- to six- hour shifts adding wood and monitoring the fire which is contained within the kiln and glows so bright it can be seen from nearly half mile away. Workers drop about six cords of wood into the kiln during the weeklong firing process. One cord of wood is 4’ x 4’ x 8’ (neatly stacked) – or about a truckload. Furthermore, a single cord of wood releases the heat equivalent to what is produced by a ton of coal or 200 gallons of fuel oil. This helps the kiln to reach the optimum firing level of 2,400 degrees .

The Anagama is allowed to cool for about a week leading up to the kiln opening ceremony. This is when workshop participants, artists, and the Gulf Coast community catch their first glimpse of the ware inside. It’s difficult to know exactly what they’ll find, except that no two pots will look the same.

Wood-burning kilns produce colors and effects that can’t be achieved any other way. Variables such as airflow, positioning of the pots, type of clay used and, sometimes, pure chance make every piece unique. Everyone is always amazed by the beauty uncovered when the kiln is opened.

Local potters Brenda and Marty Stokes, are the masterminds, project leaders and whip-cracking overseers behind the Anagama project.

Stokes emphasized that this firing event draws on community, as has the process leading up to it. In 2004, for example, the Gulf Coast Kiln Walk Society grounds became a revolving door for artists and local residents interested in the construction of the Anagama kiln.

In addition to the actual event, the presence of Don Reitz and Brian Harper was attraction itself. Brian, former assistant to Don, led the workshop to build the Gulf Coast Kiln Walk Society Anagama. They both attended the workshop and slide presentations and the historic lighting ceremony December 3rd, 2005.

Plans are that the Anagama kiln will be fired roughly once a year. Other projects, e.g. the Phillips groundhog kiln (above), might modify this plan (but it works!).